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Mind over matter lyrics spillage village10/31/2022 Cole drops a verse himself, and steals the scene with all his usual flair and conviction. The lyrics focus around making money for its own end, and the chorus features a wincing, jokey exchange of questions that screams of the greater Dungeon Family aesthetic. “Waterboyz” finds Johnny Venus recalling being pulled up “in the Tsurus… the Jeep… The Crown Vic and the Mercury,” presumably all as a result of profiling. ATL fixture Future, a rapper so different from the emcees of EarthGang that his feature effectively showcases the diversity within Atlanta hip-hop, drops a laidback verse, surprisingly devoid of Auto-tune. With a constant siren blast, a distorted bass to blow speakers, and a cash register chime upon chorus, Earthgang deliver on this track. There could hardly be a better example than “Billi,” literally reimagining Lil Wyne’s “A Milli” tenfold. The melody that the rapped/sung chorus approaches riffs off the leanings of several era-defining hits, tracing back to Drake’s “Hotline Bling,” which you can easily hear echoes of. The first couple of tracks can seem an attempt to assert dominance by one-upping hits defining the last decade. This is consistent with how the album generally plays out. A rather jumbled mix of social consciousness fare and classic, ghetto-fabulous grandstanding comes in an opener that is hard-hitting, but stays close to center, at least by EarthGang standards. The title track finds EarthGang blasting off with an opening statement that strikes immediately as both inspired by, and slightly curtailed by, current circumstances. Their followup, “ Ghetto Gods,” is a stark reminder of how much times have changed in the last few years, with a streamlining of content that compensates for an overall increased weight of sentiment. Cole’s Dreamville Records and released “Mirrorland,” a distinctly Southern and unabashedly quirky debut album. Throughout their career, Earthgang have particularly been noted for preserving the legacy of Outkast. The duo of rappers Olu, aka Johnny Venus, and WowGr8, aka Doctur Dot, represents the greater musical collective Spillage Village, featuring artists like the now illustrious 6lack, and following in an ATL tradition best defined by likes of the Dungeon Family, which spawned Outkast and CeeLo Green. The cultural imprint of Atlanta has transformed the general template of hip-hop over the years, and there currently stands no more suitable ambassador of the city’s heritage than EarthGang. With ‘Ghetto Gods,’ EarthGang Stakes Their Claim in a New Era of Atlanta Hip-Hop
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